Saturday, April 21, 2012

Jacqueline Du Pré - The Complete EMI Recordings

Jacqueline Du Pré - The Complete EMI Recordings

Jacqueline Du Pré - The Complete EMI Recordings
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Post Date : Apr 21, 2012 13:17:05 | N/A

Jacqueline Du Pré - The Complete EMI Recordings

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Sunday, April 1, 2012

Fender American Standard Jazz Bass® Left Handed, 3 Tone Sunburst, Rosewood Fretboard

Buy Cheap! Fender American Standard Jazz Bass® Left Handed, 3 Tone Sunburst, Rosewood Fretboard

Fender American Standard Jazz Bass® Left Handed, 3 Tone Sunburst, Rosewood Fretboard - The Best Recommended

Fender American Standard Jazz Bass® Left Handed, 3 Tone Sunburst, Rosewood Fretboard

Fender American Standard Jazz Bass® Left Handed, 3 Tone Sunburst, Rosewood Fretboard

  • American Standard Jazz Bass® neck and bridge pickups offer a great range of classic and contemporary Jazz Bass® tones.
  • A thinner finish undercoat and a new HMV (high-mass) bridge help make this an exceptionally lively and resonant instrument.
  • Posiflex(TM) graphite neck support rods make this an exceptionally stable instrument worthy of world tours.
  • Fender®-exclusive SKB® molded case, cable, strap, and polishing cloth included.

Fender® scored a giant bass hit in 1960 by introducing its deluxe four-string instrument - the Jazz Bass® guitar. With its sleek offset body; thin, fast neck and rich, growling tone, it was a raring, roaring racecar of a bass that quickly established itself as a must-have instrument. The new left-handed American Standard Jazz Bass is an even finer instrument; a modern interpretation of a classic built for modern players. Features include a high-mass vintage bridge, thinner finish undercoat that lets the body breathe and improves resonance, improved Fender tuners that are 30 percent lighter while keeping the classic look, richer and deeper neck tint for a more elegant appearance, great-looking gloss rosewood fingerboard, satin neck back for smooth playability and Fender-exclusive SKB® molded case.

( Product Infomation Posted On Time : Apr 01, 2012 15:27:03 View Last Update Infomation At Amazon)

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Wednesday, March 21, 2012

Mozart Edition: Complete Works (170 CD Box Set)

Mozart Edition: Complete Works (170 CD Box Set)

Mozart Edition: Complete Works (170 CD Box Set)
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Post Date : Mar 21, 2012 08:34:04 | Usually ships in 24 hours

Mozart Edition: Complete Works (170 CD Box Set)

170 CDs - DVD - CD-Rom: for completeness, pure musical enjoyment, scholarly research, attractive, space-saving design and price, you cannot afford to be without Brilliant Classics' improved Complete Mozart Edition! Now New & Improved! The Brilliant Classics Complete Mozart Edition, released in 2006, was an international hit, winning rave reviews from critics and customers alike for the quality of the music making and representing great value for money, and has become a standard in itself! Recent research to collect the most scholarly correct performances, numerous new and superior performance replacing previous versions. The interpretation of Mozart's music continues to evolve and, four years after the original release, Brilliant Classics' Complete Mozart Edition has evolved with it. The new recordings by prominent Mozart performers such as Guiliano Carmignola (violin concertos) and Oficina Musicum (La Betulia Liberata) are included. The Packaging: new, completely redesigned packaging means CDs in slipcases and the complete set neatly displayable in a single, attractive space-saving box.. The Enhanced Contents - Brilliant Classics' Complete Mozart Edition contains: 170 CDs representing the entirety of Wolfgang Amadeus Mozart's oeuvre in historically informed Performances; 1 Interactive DVD: The most comprehensive survey of Mozart's life and music, a step-by-step celebration in sound and vision of the creations of a genius.; 1 CD-ROM containing liner notes and performers' biographies in English, librettos and sung texts, complete 2010 Brilliant Classics catalogue; Mozart Interactive - An Interactive DVD by Titus Leber.

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Friday, February 17, 2012

Leonard Bernstein - Young People's Concerts / New York Philharmonic

!±8± Leonard Bernstein - Young People's Concerts / New York Philharmonic

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Post Date : Feb 17, 2012 13:10:36 | Usually ships in 24 hours


Leonard Bernstein's Young People's Concerts with the New York Philharmonic stand among his greatest achievements. These televised programs introduced an entire generation to the joys of classical music. Bernstein conducted his first Young People's Concert on January 18, 1958, just two weeks after becoming Music Director of the New York Philharmonic. Such programs were already a Philharmonic tradition when Bernstein arrived, but he made them a centerpiece of his work, part of what he described as his "educational mission." Looking back on the concerts years later, he referred to them as being "among my favorite, most highly prized activities of my life." When he took a sabbatical season from the orchestra in 1964-65, he still came back to lead the Young People's Concerts. He continued to lead these programs until 1972, even though he had stepped down as director of the Philharmonic in 1969. Bernstein led a total of fifty-three Young People's Concerts during those fourteen years, and covered a broad range of subjects. The works of the great composers were explored, including tributes to modern masters such as Dmitri Shostakovich, Paul Hindemith, Gustav Holst, Aaron Copland and Charles Ives. Bernstein discussed "Jazz in the Concert Hall," "Folk Music in the Concert Hall," and "The Latin-American Spirit." He explained the intricacies of Music Theory in programs such as "Musical Atoms: A Study of Intervals" and "What is a Mode?" He broached complex aesthetic issues such as "What Does Music Mean?" (his first program) with clarity and without condescension. Bernstein also used the Young People's Concerts to introduce young performers to the musical world. The sixteen year-old pianist André Watts made his debut in the concert of January 15, 1963. Originally broadcast on Saturday mornings, the programs were considered so important that for three glorious years CBS presented them at 7:30 p.m. (prime time for television viewing). Eventually the programs were moved to Sunday afternoons. The concerts were translated into other languages and syndicated to forty countries.

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